My Art Books & Journals are quiet interiors—spaces where memory, emotion, and form converge. Each page is a distilled moment: a gesture preserved, a colour remembered, a rhythm unfolding. Working with ink, paper and textiles, I trace emotional histories through abstraction, allowing shape and tone to carry what language cannot.

These works are not documents, but devotions. In the layering of form and the deliberate restraint of palette, there is an attention to care, to continuity, to what is often held but rarely spoken. Motifs reappear—celestial notations, anatomical echoes, architectural fragments—like inherited phrases or the unspoken gestures passed between generations.

Though modest in scale, the journals are the foundation of a larger practice. They are the spaces where intuition meets discipline, where the impulse to record is shaped by a deep regard for composure and clarity. In this way, they mirror the inner architectures we inherit—quiet structures that guide us, often without our knowing.

I work not to resolve, but to listen: to colour, to silence, to the small cadences of the hand. These journals are a form of correspondence—between past and present, between material and memory. They ask nothing of the viewer but stillness, and perhaps a willingness to remember something long forgotten.