PAINTING

My painting practice is rooted in continuity—an ongoing conversation between form, gesture, and memory. Working in acrylic on canvas, I create layered abstractions that merge geometric structure with fluid, biomorphic forms. Each work arises through analogue processes, allowing time, touch, and instinct to guide the composition.

I relate to painting as a form of tangible fulfilment—something built slowly, with intention. These works speak in a visual language shaped by inheritance: a sensibility passed quietly through generations, felt rather than named. The tension between control and release—between the architectural and the organic—creates a kind of visual architecture, one that gestures toward both landscape and interior, the ceremonial and the everyday.

Each canvas becomes a fragment of a larger, evolving portrait. My palette draws equally from nature and ritual, balancing restraint with resonance. Though the paintings are not literal, they carry an emotional logic, a composed boldness, shaped by the rhythms of lived experience and the trace of quiet lineage.

There is mystery in their stillness, familiarity in their restraint. These are not declarations, but invitations—into a space where form, feeling, and inheritance quietly converge.